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Ray Pride

By Ray Pride Pride@moviecitynews.com

BYO Post-JOKER

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4 Responses to “BYO Post-JOKER”

  1. Pete B. says:

    Pretty impressed that WAR cracked the weekend’s Top Ten with being in only 305 theaters. Hrithik Roshan is one good looking guy. I’m surprised Hollywood hasn’t tried to snag him yet.

  2. movieman says:

    I’ve said the same thing about Tahar Rahim, Pete.
    He proved in “Mary Magdalene” that he’s capable of speaking perfect, unaccented English.
    I’m surprised Marvel/Disney hasn’t called yet.
    Rahim IS in Damien Chazelle’s upcoming Netflix miniseries. Not sure whether it’s a French or English speaking role, though.

    P.S.= Any idea why I have to type in “name” and “mail” every time I post? Previously that info was in the website’s memory bank.
    Annoying.

  3. Geoff says:

    I was blown away by Joker and I didn’t expect to be – I didn’t think Todd Phillips had it in him to direct something like this. Of course he DID it in have him to come off like an entitled crybaby in the vein of Dave Chappelle this past week…commiserating about how this film was his response to “woke” culture and “cancel culture.” It simply isn’t, it’s a much more humane film than a lot of critics are giving it credit for.

  4. Stella's Boy says:

    Watched some Netflix movies. In the Shadow of the Moon is alright. Cast is solid. Mickle is a pretty talented director. Some cool set pieces. And I like that medium-budget genre movies like this get made from time to time. Story grows increasingly kooky and it’s a little too long (and sappy). Not bad.

    In the Tall Grass. Wow. I hear the short story is excellent. I cannot believe anyone likes the movie and I see so many horror nerds giving it good-to-great notices. It’s painfully dull. Literally 90 minutes of annoying doofuses walking in grass. That’s it. I’m a big fan of Natali and it does look nice. But holy shit it’s boring and terrible.

    Hoping I see something good soon. And I’ll be checking out Joker this week.

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima